Featured November Speaker: Keith Walklet

PPF is proud to announce Keith Walklet will be our featured speaker for our November Meeting

The speaker for the November 19, 2018 meeting of the Portland Photographers Forum is Boise photographer Keith Walklet.  While Keith wanders all over the west making images, but is perhaps best known for his work in Yosemite, where he lived and worked for 15 years and where he still teaches photography workshops for The Ansel Adams Gallery.  Adept at both the grand landscapes and the more quiet, intimate scenes in nature, Keith also enjoys the thrill of the hunt for those random, spontaneous, peculiar visual treats that pop up in the most unexpected places at the most unexpected times.  He is the author/ photographer of three books on Yosemite and has introduced hundreds of photographers to the joy and fun of making images in the park he knows so well.  Keith is represented by The Ansel Adams Gallery and a selection of his imagery can be found on his website www.quietworks.com


Featured September Speaker: Chester Ng

PPF is proud to announce Chester Ng will be our featured speaker for our September Meeting

Chester Ng is a Fine Arts photographer who focuses on dance, motion, abstract and cultural themes.  His images capture both movements and expressions as well as the encounter between the subject’s energy and himself.  He combines a journalistic style with an aesthetic sense to create images with mood, emotion and relevance.  He invites viewers to create their own "real or imagined" stories with his images and to celebrate the spontaneity of the moment.

Chester's photographs have received international recognition from Black & White Magazine, American Art Collector, Black & White Spider Awards, Monochrome Awards, Color Awards, PX3, Photography Masters Cup and Photographer's Forum.

Featuring Katharine T Jacobs

PPF is proud to announce Katharine T Jacobs will be our featured speaker for our June meeting


Katharine T. Jacobs is a large format film photographer working in silver gelatin and alternative processes. Her work is conceptual and deals with femininity, chronic illness and living with a disability. She uses the human form to communicate emotions and sensations that are deeply personal while also trying to create beautiful images that viewers can appreciate on both an aesthetic and visceral level.

Katharine is a graduate of Oregon College of Art and Craft. Originally from the rural foothills of the Sierra Nevada Mountains. Katharine began her education at California College of the Arts in Oakland, California. There she learned to shoot with a large format camera and discovered Polaroid type 55 film. In 2007 she moved to Portland, purchased her own 4×5 camera and started photographing friends, family and countless strangers. Her focus in street photography and large format shooting would inspire her journey across the United States and the production of her largest body of work to date; American Strangers.

Visit Katharine's website


Trees of the Northwest: A PPF / Lightbox member’s exhibit

Artists’ Reception

Sunday, June 24, 2-4 p.m. at Argyle Winery, Dundee, Oregon.

Show runs May 15–July 9

Argyle Tasting House
691 Highway 99W
Dundee, Oregon

Roger Dorband, Ken Hochfeld and Michael Granger will curate the exhibit.

Congratulations to the members juried into this show:

Sam Blair, Steve  Blair, Eric Brody, Jeff Brownell, Jim Fitzgerald, Scott Hoyle, Don Jacobson, Jim Hodel, MacGregor, Julie Moore, Dave Schaerer, Ray Tatyrek, Susan Turner, Lorraine Richey 

Featured speaker: Jim Fitzgerald

PPF is proud to announce Jim Fitzgerald will be our featured speaker for our May meeting


Jim Fitzgerald is a large and Ultra large format Photographer, Camera Builder and Carbon Transfer Specialist. Mr. Fitzgerald is also an educator who teaches the historic process known as Carbon Transfer Printing.

A traditional photographer, Jim specializes in monochrome Carbon Transfer Contact Printing from in camera negatives. Carbon Transfer printing, a process perfected by Joseph Swan in 1864, is a highly labor intensive process that yields prints of the finest quality. The artist has total control of the image tonality due to the creative blending of pigments used to manufacture the carbon tissue which is used to complete his vision. From this tissue the image is born. Carbon prints require a minimum of four or more days work to produce one finished print. Truly a labor of love and passion. Jim teaches carbon transfer printing and offers workshops in his studio/darkroom at his home in Vancouver Washington.

Visit Jim Fitzgerald's website


Member Cudos!!!

Two PPF members received honorable mention cash awards at the Cascadia opening in Baker City on Friday


Scott Hoyle for “Smoke and Mirrors”
Dave Schaerer for “Crossing the Nehalem Bar”

There were a total of $2600 for 12 awards.

Other PPF participants:

Ken Hochfeld
Don Jacobson
Alan Mevis
Loren Nelson
Mike O’Brien

Cascadia is a statewide-wide touring fine art photography exhibition of juried work by Oregon photographers from both sides of the Cascades. 

Exhibition dates

Crossroads Carnegie Art Center, April 6 - 28th
The Brama Pop-Up Gallery, The Dalles, May 4-29th
Murdock Gallery, OSU Campus July 2 - Aug 5th

Congratulations to all!!!

Upcoming Don Jacobson (PPF member) Class

Photographing Wildflowers In the Field & Midday Photographing Techniques


April 13, 14, 15

Class meets on Clark College main campus 7-9pm Friday eve, 8 to 4pm Field studies on Sat, and 2-4pm on main campus Sunday.

Learn how to improve your skills photographing wildflowers in the field. We will use techniques and appropriate approaches to portray the beauty of our native flora. Learn valuable techniques for photographing in midday. Equipment and techniques will be discussed in the Friday lecture, a full day in the field to photograph wildflowers on Saturday in the Columbia River Gorge. Sunday we will review photographs taken on Saturday. Equipment (macro lens, extension tubes or a close up lens) or a camera that lets you focus closely and a tripod will be helpful. Up to 2 miles of easy hiking will be involved. Bring a brown bag lunch. 

Learn more and register


PPF / Lightbox Joint Exhibit Info

LightBox Photographic Gallery invites all LightBox Members & all Members of the Portland Photographers’ Forum to submit to this exhibit.


One image each from 25 photographers will be selected for showing in this Argyle Winery exhibit.

The beauty of the landscape in the Great Northwest abounds with many species of trees. Please submit your most beautiful photographs of trees to Trees of the Northwest.

Deadline for Submissions is Midnight, Sunday, April 15, 2018.


Artists’ Reception 

Sunday, June 24, 2-4 p.m. at Argyle Winery, Dundee, Oregon

Argyle Tasting House
691 Highway 99W
Dundee, Oregon

Complete info is found in the full prospectus. There are no submission fees for entries and no hanging fees

Roger Dorband, Ken Hochfeld and Michael Granger will curate the exhibit.


Important Dates

Deadline for submissions
April 15, 2018

Final Notification of accepted entries
April 20, 2018

Pick up of artwork in Portland
May 5, 2018
Ken will be willing to do a pickup at Multnomah Art Center on Saturday May 5 at 10:00 am-11:00 am.

Deadline for Delivery of accepted works to gallery
May 7, 2018

Show Opens
May 15, 2018

Show Closes
July 15, 2018

Return of artwork

Learn more in the show prospectus

Austin Granger Presentation

PPF is privileged and excited to host Austin Granger for our March speaker and presenter. Austin is a beautiful example of creativity and intent in his images.

by Austin Granger

by Austin Granger

Austin's art is prolific and heart-felt. He is a local treasure here in Portland. A very insightful and inventive image maker, Austin carries an array of favorite traditional film cameras with him everywhere.

He will be sharing some of his favorites with us on Monday evening.

‟ When I’m photographing well, I have the most uncanny feeling that the pictures are predestined. I recognize them. They echo the feelings inside myself. They correspond. My subjects are the things that ache.
Whether or not I can portray feelings using objects that may not ostensibly depict those feelings is something that I wrestle with. People see things differently. After all, we bring our minds–all of those thoughts that make us–to our looking at things. In a very real way, pictures are always of our heads. They’re all self-portraits. Still, I’d like to think that it’s possible to put something across, to bridge the gap, meet a stranger in the middle, and connect. After all, do we not all share the same basic, existential struggles? Fundamentally, deep down, are we not all made of the same stuff?
Perhaps then, by going inward, one goes outward as well. Perhaps one can approach the universal through the individual. I’d like to think so. I’ve come to think of my pictures as an attempt to understand myself, and also, as an attempt to communicate. I want to express emotions that people will recognize. I want my pictures to be a correspondence between us, to be both the place and the record of our meeting.” 

~ Austin Granger


Austin Granger is the author of Elegy from the Edge of a Continent: Photographing Point Reyes. Born in San Francisco in 1970, Granger has worked as a baker, house painter, naval radar operator and camera salesman. He first began to photograph while studying philosophy in college as a way to get out of his head. Preferring to use traditional film cameras, Granger has come to see his photography as a spiritual practice–a way in which to shape his life and enrich his relationship with the world.


Welcome To 2018! The Year Of Creativity


In January we started the year with a survey to see how the 2018 board can best serve the needs of PPF.  Based on the survey results, the board has agreed on making 2018 "The Year of Creativity", exploring all aspects of why  we photograph, the need for self knowledge and self expression, how to wake up the muse & how best to describe our art. We will look at what our creative force is and find ways to do our work with the muse ... Some aspect of Creativity will be woven into every speaker's talk, every outing, every presentation. This focus will be inherent in our efforts to Educate, Inspire and Engage you, our members.  We can dig deep all year into the mystery and magic of Creativity.


The survey results in a nutshell:

  1.  How to Wake-Up the Muse/ Overcoming Creative Blocks (20)
  2.  Tips for Digital Processing (15)
  3.  Direction of Contemporary Photography (13)
  4.  Tied: (a)What Judges Look for in Submissions: (b) Different   Formats for Presenting Work at the General Meetings (11)

Results were determined by looking at the top ranked 4 answers on each survey.

There were some interesting comments provided.  I will share a few of them here...

  • Tips and ideas for developing a personal vision for photo-shoots
  • Discussion groups; critique groups: open discussions on suggested topics
  • Getting together to learn from each other on trips (kudos to Phil Bowser) -{ there were quite a few requests for outings} 
  • Publishing opportunities and collaboration with other photographers
  • More info about 'why' the image was made vs. where, or that it caught my eye ... more meaning behind what the image meant to the photographer
  • How to sell to and develop collectors
  • Guest speakers that are outside presenters
  • Getting more young & diverse members

Engaging The Muse: A Panel Discussion

We are honored and excited to have the following artists on our panel for our February PPF Presentation

Andrea Hollander - Poet

Andrea Hollander moved to Portland, Oregon, in 2011, after many years in the Arkansas Ozark Mountains, where she ran a bed & breakfast for 15 years and served as the Writer-in-Residence at Lyon College for 22. Her poems and essays have appeared in numerous literary journals, college textbooks, and anthologies, including most recently, The Poetry of Impermanence, Mindfulness, and Joy, edited by John Brehm, and containing the work of such classic writers as Shakespeare, Basho, and Neruda, alongside contemporary poets.

Hollander's 5th individual full-length poetry collection will be released by Autumn House in September 2018. Her 4th was a finalist for the Oregon Book Award; her 1st won the Nicholas Roerich Poetry Prize. Among her many other honors are the 2017 Vern Rutsala Award, a 2013 Oregon Literary Fellowship, two Pushcart Prizes (in poetry and literary nonfiction) and two poetry fellowships from the National Endowment of the Arts. 

Laura Valenti - Photographer

Laura Valenti is the founder of Light Atlas Creative. Light Atlas exists to help photographers transform their vision and lead vibrant, skillful, wholehearted creative lives. She teaches richly interactive online courses, works with emerging photographers in her creative mentoring program, presents lectures to photo groups, and curates exhibitions for galleries and festivals around the world.  

Her teaching centers on clearing creative blocks and cultivating the insight and confidence necessary to make deeply authentic personal work. She is passionate about helping photographers become visionary artists.  Laura has spent twenty years in the art world as a photographer, curator, arts director, and educator. Recent curatorial projects include shows at PhotoPlace Gallery, LightBox Photographic, Center for Fine-Art Photography, Photographic Resource Center, RayKo Photo Center, the Oregon Historical Society, and the Lishui International Photography Festival (China).

Fred Swan - Painter

Artist, author, editor in chief of AIR Gallery Ezine, father, really long-time married man who died a few years ago and after forty minutes of CPR came back with some changed ideas about loving, living, and ways of shredding the doubts and fears that keep us from becoming the creative and confident individuals we were born to be. Fred spends his days working as an artist. 

Educationally he has a Master's degree in Social Work and studied art and design during his undergraduate years.  While his career focused on the field of child welfare - specifically the issues of child abuse and neglect and the treatment of loss and grief issues - he has pursued, over the course of his life, his interests as an artist and a writer.  Fred is a founder and curator of AIR Gallery, an on-line gallery.

Ray Bidegain - Panel Moderator

After a long commercial career working as a black and white photographer, Ray discovered the beauty of the platinum print and began to teach himself this art over 10 years ago. He was drawn to the older alternative photo processes because of the hand made nature of the work and its inherent beauty. 

"I find peace in my photographs, and mostly photograph things that present themselves voluntarily into my life." The images serve as visual reminders of moments and feelings he has experienced, signifying both the passage of time and the reverberation of consistency in all of our lives. 

Ray began teaching platinum printing workshops 13 years ago and enjoys the personal interaction with his students. He now teaches workshops on a variety of other photographic topics and he has been a influential board member and past president of the Portland Photographers Forum.

Baker City Road Trip (A Proposal)

We have a number of members whose work was selected for the upcoming Crossroads Cascadia juried show in Baker City.  The reception for this event is on Friday, April 6 and some of the members selected for inclusion plan to go to the reception.  Since PPF is so well represented this is an excellent opportunity to send a contingent to show our support for them and for PPF.  It's also a chance for a group outing and/or workshop in beautiful eastern Oregon in the early spring. There seemed to be some support for this notion expressed at our Jan. meeting.  

At the very least it is a chance for a group of us to get to know each other better and share travel expenses and driving.  We might get a better rate (and continue the fun) if we commandeer rooms in the same motel rather than scatter ourselves all over the town.  Those traveling solo might be able to acquire a simpatico roommate and only shoulder half the room rate.  Seems like a good deal!  

Then...it seems a shame to drive all that way with nothing (no images!) to bring back.  Would there be any interest in combining the reception with a field trip to a local point of interest?  Most likely scenario would be a half-day trip on Sat. morning.  Would there be enough interest in this prospect to work with carpooling back to Portland?  

There are a lot of logistics to consider if we decide we want to do this: 

  1. We will need a pretty firm commitment on attendance to work out carpooling and accommodations plans.  Come to the Feb. meeting ready to seriously discuss putting your name on the list.  
  2. We will need someone to be the cat-wrangler-in-chief for the actual event (i.e., somebody needs to be sure whether Day is still in the bathroom and not in the other car when we leave the gas station!).  Mike Osborne will handle advance planning but a prior commitment prevents his attendance.  
  3. Assuming that we can muster a quorum for a Sat. photo shot, does anyone have opinions about some good possibilities in the Baker City area? Are there any special factors (clothing, hiking, entrance fees, etc.) about those locations?  

Many of us mentioned an interest in reviving group outings on the recent questionnaire.  This proposal may require significant buy-in but it could be a lot of fun while also showing support for our members and to our organization.  It is worth considering.  The plan lives or dies depending upon the discussion and input at the Feb. meeting.  If you won't be at the meeting you can email your desires, intentions and opinions directly to Mike Oz at: troglodytes1@att.net

Gathering Light Online Photography Salon: One Month Free for PPF Members

Photographer and teacher Laura Valenti has offered PPF members a free month access to her new online photography salon. The salon includes a lovely, safe space for sharing images and ideas, regular feedback, inspiring interviews with talented photographers, audio chats about the creative process, and fun creative experiments (optional mini assignments) to get the creative juices flowing. As opposed to a critique group where the focus is mostly technical and critical, Gathering Light is a "yes" space. It's a space where we celebrate creative risks, see mistakes as doorways for growth, and deeply honor our fellow artists' journeys. 

It kicks off now, so jump in today. It's going to be a lot of fun.

To join, click here Then, enter the coupon code NEATO and click "apply coupon." You'll get the first month's membership for free and you can cancel at the end of the month if you like or continue on for $24/month if you like what you see. It's a fun opportunity to try out Laura's new offering.